043 > Channel Four Logo: Part Two
Looking at Tony's 35mm C4 logo print. Photo ( a frame of video), by Ewan Mulligan.

043 > Channel Four Logo: Part Two

Jez Stewart is responsible for the BFI National Archive's animation collection. He's been a big and valuable supporter of The Tony Pritchett Project. Thank you Jez!Recently he very kindly digitised…

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042 > Channel Four Logo: Part One
1 of 18 Umatics in the Tony Pritchett Archive. Umatics are not easy to view these days. This one remained a mystery until Jez an the BFI kindly scanned it. It contained what we hoped it would! Thank you BFI and Jez Stewart!

042 > Channel Four Logo: Part One

>>> This is an extra special blog post - featuring special guest BFI National Archive's animation curator, Jez Stewart!Jez writes:First impressions matter, and as the new British broadcaster Channel 4…

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041 > Experimental Cartography – in 3D!
"The involvement of the Royal College of Art, which at first sight seems a strange place for the development of a new branch of computer technology, came about because of Bickmore's insistence that the new-style map-making should not be hampered by the graphic conventions that had grown out of the methods of cartographic draughtsmen." 'Computers and the Renaissance of Cartography', by T A Margerison Experimental Cartographic Unit, Royal College of Art. December 1976

041 > Experimental Cartography – in 3D!

Tony Pritchett's archive contains 16mm film, correspondence and other production materials relating to his work with The Experimental Cartography Unit.Between 1973 and 1976 Tony created 3D anaglyphic moving image of…

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040 > Ai
The Flexipede print VS Stable Diffusion/Google Colab

040 > Ai

In 1967 Tony Pritchett created The Flexipede using:> One of the world's most powerful supercomputers The London University Atlas.> A microfilm recorder at a nuclear fusion research laboratory.> A reel-to-reel…

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